When my wife confessed she’d never seen Breaking Bad, I knew that had to be fixed. A few binge-filled weeks later, just as we were nearing the final episodes — my phone rang.  

 It was my agent, sounding upbeat — always a good sign. She’d sent my reel to Universal, who were prepping the sequel to Nobody, and they wanted to set up a call with director Timo Tjahjanto and the producers.  

 A day later, I was on the call — slightly nervous, as usual, but trying to play it cool. I had bullet points open, visual references, and notes from my lightspeed read of the script — plus a cup of tea, mostly for optics.  

 To my relief, Timo and I clicked immediately. We’d both spent time in Sydney, so we traded stories. He was relaxed, open — the kind of energy you hope for when starting a creative partnership.  

 Exactly two weeks later, I was flying to Winnipeg — home of Nobody. (Also home to great steaks, golf courses, friendly locals, and mosquitoes with serious attitude problems.)  

Read the British Cinematographer masterclass on NOBODY 2, by Callan Green ASC NZCS here:

https://britishcinematographer.co.uk/masterclass-nobody-2/