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American Cinema: Stephen Murphy on the 70s Inspiration of Lucy Rose’s “NO GOOD AT ALL”

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“‘There wasn’t any real cosmetic or modern beauty light,’ [Cinematographer Stephen Murphy] adds. ‘We could have made it look much slicker in a very easy way, but we didn’t. We wanted to make the look authentic, so we tried to limit ourselves to the tools they’d have had in the Sixties or Seventies when trying to make a studio video.'”

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