“I proposed to Brad to shoot on anamorphic in a complete handheld style together with some zoom shots like they did a lot in the ‘70s,” remarks [cinematographer BJÖRN CHARPENTIER, SBC]. “It felt right because the main character Mason Skiles is a total mess and I wanted to make him a ghost when he comes back for the first time to Beirut; we played with reflections to make Skiles more transparent and kept him in the shadows. When he is in the U.S. I even painted the light bulbs blue to make everything cold around him.”
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